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Publication
O berço de Newton
Authors
Advisor(s)
Abstract(s)
A presente dissertação apresenta-se como um exercício motivado, não
apenas por uma necessidade de homenagem ao que pode ser considerado
como o realizador que definiu o cinema no século passado e que pensou o
século presente antes de poder conhecê-lo; mas também como um movimento
na melhor compreensão do fenómeno da psicopatia através da sua ilustração
no que é o veículo artístico mais completo gerado pelo Homem. Numa análise
livre da obra de Stanley Kubrick, procurámos a representação mais amplificada
da violência humana na sua forma livre de culpa e de remorso, na psicopatia
ABSTRACT: This work presents itself as an aproach to psychopathy as an absolute form of violence and power driven upon others by an individual. As in Stanley Kubrick´s body of work, psychopathy takes the form of the absolute veicule of violence. Kubrick presented us with the absolute form of everything, whether it would be the absolute form of reality as an hyper - reality, or of violence as an ultra - violence. So it seemed to us appropriate to, in somewhat of a movement of analysis, to point out the meaning and expression of the psychopathy, the power and the violence throughout the seminal cinematography of one of the most acomplished directors ever. In a world of magic, ilusion and hyper realism, Stanley Kubrick was the father of an entire generation of ilusionists that brought us visions of the humanity within us. So it is as an homage that this work presents itself.
ABSTRACT: This work presents itself as an aproach to psychopathy as an absolute form of violence and power driven upon others by an individual. As in Stanley Kubrick´s body of work, psychopathy takes the form of the absolute veicule of violence. Kubrick presented us with the absolute form of everything, whether it would be the absolute form of reality as an hyper - reality, or of violence as an ultra - violence. So it seemed to us appropriate to, in somewhat of a movement of analysis, to point out the meaning and expression of the psychopathy, the power and the violence throughout the seminal cinematography of one of the most acomplished directors ever. In a world of magic, ilusion and hyper realism, Stanley Kubrick was the father of an entire generation of ilusionists that brought us visions of the humanity within us. So it is as an homage that this work presents itself.
Description
Dissertação de Mestrado apresentada ao ISPA - Instituto Universitário
Keywords
Psicopatia Stanley Kubrick Violência Cinema Psychopathy Ultra – violence Power