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Publication
A magia de Bosch: Pertenças sociais e formas de percepção e representação da arte
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Authors
Advisor(s)
Abstract(s)
Hoje em dia, o ser humano comum não dá grande
atenção à literatura, poesia, filosofia, pintura, ..., ou
arte. Procura preferencialmente o que é rápida e facilmente
consumível e que não o incomóda, cansa ou
perturba demasiado. Neste artigo pretende-se investigar
e compreender a forma como a imagem de uma
pintura de Bosch (que retrata a morte e o além-morte)
é percepcionada e representada. Apresenta-se um estudo
exploratório cujos principais objectivos consistem
em: apreender as dimensões de significação que estruturam
os pensamentos, sentimentos e símbolos, relativamente
à imagem, numa população formada por estudantes
de gestão, história e psicologia social, de ambos
os sexos; e analisar em que medida essas estruturas
significantes diferenciam os grupos sociais considerados.
Este estudo enquadra-se teoricamente no
modelo das representações sociais, tal como foi
inicialmente proposto por Moscovici (1961).
Nowadays, a common human being doesn’t give much attention to literature, poetry, philosophy, painting, …, art. He usually prefers what is quickly and easily consumed, and what doesn’t bother, irritate or perturbate him too much. In this article, we intend to analyse and understand the way how the image from a Bosch’s painting (depicting death and the other side of death) is perceptioned and represented. Here we present an exploratory study with the aim to: apprehend the significance dimensions which structure the image thoughts, sentiments and symbols, in a population formed by management, history and social psychology students, men and women; and analyse how these significance structures differentiate the considered social groups. This study is theoreticaly framed on the social representations model, as it was first proposed by Moscovici (1961).
Nowadays, a common human being doesn’t give much attention to literature, poetry, philosophy, painting, …, art. He usually prefers what is quickly and easily consumed, and what doesn’t bother, irritate or perturbate him too much. In this article, we intend to analyse and understand the way how the image from a Bosch’s painting (depicting death and the other side of death) is perceptioned and represented. Here we present an exploratory study with the aim to: apprehend the significance dimensions which structure the image thoughts, sentiments and symbols, in a population formed by management, history and social psychology students, men and women; and analyse how these significance structures differentiate the considered social groups. This study is theoreticaly framed on the social representations model, as it was first proposed by Moscovici (1961).
Description
Keywords
Representações sociais Arte Morte Além-morte Social representations Art Death Afterlife
Citation
Análise Psicológica, 2(17), 339-357.
Publisher
Instituto Superior de Psicologia Aplicada