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Um corpo ao espelho: As narrativas rorschach e do corpo numa abordagem musicoterapĂȘutica com toxicodependentes
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Advisor(s)
Abstract(s)
Pretendemos com este estudo verificar a existĂȘncia de invariantes no que diz respeito Ă
imagem do corpo, a partir da anĂĄlise de uma narrativa Rorschach e de narrativas construĂdas a
partir de quatro instruçÔes-espelho pedidas em quatro momentos distintos, a um sujeito com
toxicodependĂȘncia, no decorrer de um programa de musicoterapia. EstudĂĄmos os
pressupostos teĂłricos relacionados com os conceitos de musicoterapia, toxicomania, corpo e
imagem corporal, bem como a forma como se articulam no modo de compreensĂŁo
psicanalĂtico. Transpusemos do protocolo Rorschach e das narrativas apresentadas nas
instruçÔes-espelho um conjunto de procedimentos de anålise identificados e recolhidos a
partir dos pressupostos que relacionam a forma como um sujeito com toxicomania narra o seu
corpo e se relaciona com ele e com o mundo, em suma, quais os atributos desse corpo ao nĂvel
da Integridade e da forma, do ConteĂșdo, da Identidade, dos Afetos, da dinĂąmica dos
Movimentos, Deslocamentos ou Imobilidades; que Tipo de RelaçÔes estabelece e de que
forma as Representa. Foi usada uma metodologia qualitativa, centrada no estudo e anĂĄlise da
narrativa livre. AnalisĂĄmos a narrativa Rorschach e a narrativa Espelho sob a influĂȘncia dos
mesmos procedimentos e relacionamos estes dois tipos de narrativa. Da anĂĄlise e discussĂŁo
dos resultados obtidos e na procura de sĂntese compreensiva, foi-nos possĂvel verificar a
presença de elementos variantes na narrativa do corpo expressa através do Rorschach e das
narrativas espelho, bem como invariĂąncias no processo interceptivo destas duas narrativas.
Por fim, propomos novos estudos, sobretudo visando o alargamento do método a uma amostra
alargada de sujeitos com a mesma patologia, ou a mesma metodologia aplicada a outras
patologias. Este estudo poderĂĄ sublinhar e clarificar o potencial clĂnico do Rorschach no que
diz respeito Ă imagem corporal narrada por toxicodependentes, podendo contribuir para a
compreensĂŁo do modo como os toxicĂłmanos se relacionam com a sua imagem corporal e
apontar novas possibilidades para o uso da Musicoterapia como elemento complementar ao
estudo e Ă intervenção. A convergĂȘncia face Ă leitura e compreensĂŁo de um determinado
fenĂłmeno atravĂ©s de diferentes ĂĄreas do conhecimento clĂnico, assume-se da maior
importĂąncia como facilitador do acesso ao funcionamento mental do sujeito.
ABSTRACT: With this study we intend to verify the existence of invariables regarding body image, from the analysis of a Rorschach narrative and of narratives built from four mirror-instructions requested in four distinct moments, to a subject with drug addiction, throughout a music therapy program. We studied the theoretical assumptions related to the concepts of music therapy, drug addiction, body and body image, as well as the way how they articulate in the mode of psychoanalytic understanding. We have transposed the Rorschach protocol and of the narratives presented on mirror-instructions a group of procedures of analysis identified and collected from the assumptions that relate the way how a subject with drug addiction narrates his body and if he relates with it and the world, in sum, what are the attributes of that body at the level of Integrity and the form, of Content, of Identity, of Affections, of the dynamic of Movements, Displacements or Immobility; what Kind of relations it establishes and in which way it Represents them. It was used a qualitative methodology, focused in the study and analysis of free narrative. We analyzed the Rorschach narrative and the Mirror narrative under the influence os the same procedures and we related these types of narrative. From the analysis and discussion of the obtained results and in the search of the sympathetic summary, it was possible to us to verify the presence of variant elements in the body narrative expressed through Rorschach and mirror narrative, as well as invariances in the interceptive process of these narratives. Lastly, we propose new studies, primarily aiming the enlargement of the method to a extended sample of subjects with the same pathology, or the same methodology applied to other pathologies. This study can underline and clarify the clinic potential of Rorschach in what concerns the corporal image narrated by drug addicts, contributing to the understanding of the way hoe drug addicts relate with their own body image and point new possibilities to the use of music therapy as complementary element to study and intervention. The convergence against the reading and comprehension of a given phenomenon through different areas of the clinic knowledge, assumed of the upmost importance as facilitator of the access to the mental operation of the subject.
ABSTRACT: With this study we intend to verify the existence of invariables regarding body image, from the analysis of a Rorschach narrative and of narratives built from four mirror-instructions requested in four distinct moments, to a subject with drug addiction, throughout a music therapy program. We studied the theoretical assumptions related to the concepts of music therapy, drug addiction, body and body image, as well as the way how they articulate in the mode of psychoanalytic understanding. We have transposed the Rorschach protocol and of the narratives presented on mirror-instructions a group of procedures of analysis identified and collected from the assumptions that relate the way how a subject with drug addiction narrates his body and if he relates with it and the world, in sum, what are the attributes of that body at the level of Integrity and the form, of Content, of Identity, of Affections, of the dynamic of Movements, Displacements or Immobility; what Kind of relations it establishes and in which way it Represents them. It was used a qualitative methodology, focused in the study and analysis of free narrative. We analyzed the Rorschach narrative and the Mirror narrative under the influence os the same procedures and we related these types of narrative. From the analysis and discussion of the obtained results and in the search of the sympathetic summary, it was possible to us to verify the presence of variant elements in the body narrative expressed through Rorschach and mirror narrative, as well as invariances in the interceptive process of these narratives. Lastly, we propose new studies, primarily aiming the enlargement of the method to a extended sample of subjects with the same pathology, or the same methodology applied to other pathologies. This study can underline and clarify the clinic potential of Rorschach in what concerns the corporal image narrated by drug addicts, contributing to the understanding of the way hoe drug addicts relate with their own body image and point new possibilities to the use of music therapy as complementary element to study and intervention. The convergence against the reading and comprehension of a given phenomenon through different areas of the clinic knowledge, assumed of the upmost importance as facilitator of the access to the mental operation of the subject.
Description
Dissertação de Mestrado em Psicologia ClĂnica apresentada ao ISPA - Instituto UniversitĂĄrio
Keywords
Musicoterapia Toxicomania Imagem corporal Rorschach Instrução-espelho Music therapy Drug addiction Body image Rorschach Mirror-instruction