Abstract(s)
A presente dissertação consiste num exercício de Psicanálise Aplicada, tendo como objecto a
análise e interpretação da vida e obra do pintor Salvador Dalí, um artista associado ao
movimento surrealista do século XX. Dalí utilizou a sua obra para expressar as suas fixações
e angústias, especialmente as vividas na sua infância, demonstrando a propriedade
estabilizadora da produção artística na estrutura psicótica, contornando os seus delírios que o
invadiram de forma persecutória. Da mesma forma surge uma intensa angústia de morte
associada à questão do “duplo” mortífero, que é herdado do seu irmão morto e utilizado no
seu método paranóico-crítico e na sua interpretação do quadro “L’Angelus de Millet” (1857-
1859). Esta questão criou uma confusão de identidade no artista associada aos vínculos
afectivos simbióticos, retratada na análise feita do Angelus, um simulacro da sua própria dor
onde aparece submetido ao desejo materno, não havendo possibilidade de triangular. Todas
estas questões serão reflectidas através do paradigma interpretativo psicanalítico,
nomeadamente através das ideias de Freud, Lacan, Klein, Mahler, Winnicott e Bion. O enfâse
recairá em temáticas referentes ao desenvolvimento emocional precoce e as respectivas falhas
que aumentariam o risco de psicose infantil, em especial a psicose simbiótica.
ABSTRACT: This dissertation is an exercise of Applied Psychoanalysis, having as object the analysis and interpretation of the life and work of the painter Salvador Dalí, an artist associated with the Surrealist movement of the twentieth century. Dalí used his work to express his fixations and anxieties, especially those experienced in his childhood, demonstrating the stabilizing property of artistic production in the psychotic structure, bypassing his delusions that invaded him in a persecutory form. Similarly arises an intense fear of death associated with the issue of the deadly "double", which is inherited from her dead brother and used as a paranoidcritical method, which leads to his interpretation of the painting "L'Angelus de Millet" (1857- 1859). This question has created a confusion of identity in the artist associated with symbiotic emotional ties, portrayed in the analysis made of the Angelus, a simulacrum of his own pain which appears subjected to maternal desire, with no possibility of triangular. All these issues will be reflected through the psychoanalytic interpretative paradigm, in particular through the ideas of Freud, Lacan, Klein, Mahler, Winnicott and Bion. The emphasis will fall on themes related to the early emotional development and their flaws that increase the risk of childhood psychosis, especially the symbiotic psychosis.
ABSTRACT: This dissertation is an exercise of Applied Psychoanalysis, having as object the analysis and interpretation of the life and work of the painter Salvador Dalí, an artist associated with the Surrealist movement of the twentieth century. Dalí used his work to express his fixations and anxieties, especially those experienced in his childhood, demonstrating the stabilizing property of artistic production in the psychotic structure, bypassing his delusions that invaded him in a persecutory form. Similarly arises an intense fear of death associated with the issue of the deadly "double", which is inherited from her dead brother and used as a paranoidcritical method, which leads to his interpretation of the painting "L'Angelus de Millet" (1857- 1859). This question has created a confusion of identity in the artist associated with symbiotic emotional ties, portrayed in the analysis made of the Angelus, a simulacrum of his own pain which appears subjected to maternal desire, with no possibility of triangular. All these issues will be reflected through the psychoanalytic interpretative paradigm, in particular through the ideas of Freud, Lacan, Klein, Mahler, Winnicott and Bion. The emphasis will fall on themes related to the early emotional development and their flaws that increase the risk of childhood psychosis, especially the symbiotic psychosis.
Description
Dissertação de Mestrado apresentada ao ISPA - Instituto Universitário
Keywords
Salvador Dalí Duplo Morte Simbiose Double Death Symbiosis