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Publication
A experiência do processo de criação artística
Authors
Advisor(s)
Abstract(s)
Neste estudo pretende-se analisar e explorar a descrição da experiência do
processo de criação artística de uma perspetiva fenomenológica. No fundo, conhecer e
compreender de um ponto de vista individual e subjetivo, a criação artística. Esta
análise foi feita aos processos de criação artística de diferentes áreas das artes com o
intuito de alcançar uma descrição final com os constituintes essenciais e invariáveis
desta experiência subjetiva, através do método fenomenológico de Giorgi. A amostra é
constituída por quatro participantes, com idades entre os 23 e os 37 anos. Quanto aos
resultados surgiram duas estruturas da experiência para os quatro participantes.
Relativamente à primeira estrutura verificou-se a existência de estímulos que precedem
a criação bem como a procura de conhecimentos complementares pelos artistas. Usam
uma estratégia de tentativa e erro e experienciam sentimentos de frustração, para os
quais encontram estratégias uteis. Experienciam um distanciamento da realidade e
sentimentos de satisfação, e atribuem à criação uma função expressiva, procurando
sempre a exposição da sua obra a outros. Quanto à segunda estrutura, existem estímulos
que precedem a criação, bem como uma pré-visualização imaginária da obra. Procuram
conhecimentos complementares e existe uma função de transporte para outra realidade.
Salienta-se a importância do belo e um investimento na perfeição da obra. Em comum,
ambas as estruturas têm os estímulos precedentes e a procura de conhecimentos ao
longo do processo.
ABSTRACT: This study’s main objective is to analyze and explore the description of the artistic creation process, from a phenomenological perspective. That’s, knowing and understanding from an individual and subjective point of view, the artistic creation. This analysis was made to the artistic creation processes from diferente areas of art, in order to achieve one final description with the essential and invariable constituents of this subjective experience, through the Giorgi’s phenomenological method. The sample is formed by four participants with ages from 23 to 37. As to the results, two diferent experience structures emerged. In the first one it was found the existence of previous stimuli to the creation, as well as a demand for additional knowledge by the artists. They use a try and error strategy, and experience frustration, for which they find useful strategies. They experience a reality gap and feelings of satisfaction, and attach to creating na expressive function, always ooking for the exhibition of their work to others. As for the second structure, there’s previous stimuli to the creation, as well as an imaginary preview of the work. They seek additional knowledge and there is a transport function to another reality. It stresses the importance of the beautiful and na investment in the perfection of the work. In common, both structures have the previous stimuli and demand for expertise throughout the process.
ABSTRACT: This study’s main objective is to analyze and explore the description of the artistic creation process, from a phenomenological perspective. That’s, knowing and understanding from an individual and subjective point of view, the artistic creation. This analysis was made to the artistic creation processes from diferente areas of art, in order to achieve one final description with the essential and invariable constituents of this subjective experience, through the Giorgi’s phenomenological method. The sample is formed by four participants with ages from 23 to 37. As to the results, two diferent experience structures emerged. In the first one it was found the existence of previous stimuli to the creation, as well as a demand for additional knowledge by the artists. They use a try and error strategy, and experience frustration, for which they find useful strategies. They experience a reality gap and feelings of satisfaction, and attach to creating na expressive function, always ooking for the exhibition of their work to others. As for the second structure, there’s previous stimuli to the creation, as well as an imaginary preview of the work. They seek additional knowledge and there is a transport function to another reality. It stresses the importance of the beautiful and na investment in the perfection of the work. In common, both structures have the previous stimuli and demand for expertise throughout the process.
Description
Dissertação de Mestrado apresentada ao ISPA - Instituto Universitário
Keywords
Arte Criação Método fenomenológico de Amadeo Giorgi Art creation Amadeo Giorgi’s Phenomenological Method.