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Narcisismo e organização narcísica no filme o cisne negro
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Abstract(s)
O conceito de narcisismo tem sofrido inúmeras alterações desde a primeira vez que foi apresentado por Freud, em 1910. Tendo em conta a sua dimensão polissémica, o conceito de narcisismo é, actualmente, compreendido de diversas formas: como um estádio de desenvolvimento, como uma estrutura ou como uma característica psicopatológica.
O presente estudo tem como objectivo analisar o filme O Cisne Negro sob o ponto de vista da Psicanálise, incidindo em particular sobre a estrutura narcísica da protagonista. Neste sentido, procedeu-se a uma revisão sistemática da literatura e, posteriormente, analisou-se o filme através do método da Psicanálise Aplicada. Foram desenvolvidos procedimentos de análise, recorrendo-se à análise de conteúdo, de modo a construir categorias temáticas: qualidade das relações objectais, narcisismo de vida, narcisismo de morte e natureza do supereu.
Concluiu-se com o presente estudo que a qualidade da relação primária, a representação de si, a ausência de diferenciação entre self e objecto, bem como o Ideal do Eu tirânico influenciaram a dinâmica da estruturação narcísica de Nina, protagonista do filme. Constatou-se uma ausência de coesão na representação que Nina tem de si, resultante de uma subjectividade alienada no desejo do outro.
The concept of narcissism has suffered many changes since it was introduced by Freud in 1910. Taking into account its polysemic dimension, the concept of narcissism is presently understood in several ways: as a state of development, as a structure or as a psychopathological characteristic. This study aims to analyze the movie The Black Swan from the point of view of psychoanalysis, focusing in particular on the narcissistic structure of the main character. In this sense, we proceeded to a systematic review of the literature and then analyzed the film through the method of Applied Psychoanalysis. Analysis procedures have been developed, using content analysis in order to create thematic categories: quality of object relationships, life narcissism, death narcissism and superego nature. With this study it is concluded that the quality of the primary relationship, the self representation, the lack of differentiation between the self and the and object, as well as the ideal of tyrannical self influenced the dynamic of the narcissistic structure of Nina, the main character. There was a lack of cohesion in Nina’s self representation resulting from an alienated subjectivity in the other's desire
The concept of narcissism has suffered many changes since it was introduced by Freud in 1910. Taking into account its polysemic dimension, the concept of narcissism is presently understood in several ways: as a state of development, as a structure or as a psychopathological characteristic. This study aims to analyze the movie The Black Swan from the point of view of psychoanalysis, focusing in particular on the narcissistic structure of the main character. In this sense, we proceeded to a systematic review of the literature and then analyzed the film through the method of Applied Psychoanalysis. Analysis procedures have been developed, using content analysis in order to create thematic categories: quality of object relationships, life narcissism, death narcissism and superego nature. With this study it is concluded that the quality of the primary relationship, the self representation, the lack of differentiation between the self and the and object, as well as the ideal of tyrannical self influenced the dynamic of the narcissistic structure of Nina, the main character. There was a lack of cohesion in Nina’s self representation resulting from an alienated subjectivity in the other's desire
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Narcisismo Estrutura narcísica Narcisismo de vida Narcisismo de morte Pulsões de destruição Desejo do Um Narcissism Narcissistic structure Life narcissism Death narcissism Instincts of destruction Desire of the One