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Advisor(s)
Abstract(s)
O presente estudo teve como objectivo testar a eficácia do recurso a excertos de filmes na indução das
emoções alegria, tristeza, raiva, medo e repugnância. Oitenta participantes foram expostos a 18
excertos e reportaram o modo como se sentiram após a breve exposição. Além das emoções específicas
em análise, avaliou-se a valência e a activação afectivas bem como a sensação de presença. De
um modo geral, foi possível induzir a maioria das emoções com relativa eficácia em participantes de
ambos os sexos. O posicionamento dos excertos em relação ao modelo afectivo dimensional é
consistente com os resultados de estudos com outros estímulos emocionais. A sensação de presença
nos ambientes visualizados foi elevada para a maioria dos excertos seleccionados.
ABSTRACT: The present study aimed to test the efficacy of using film excerpts for the induction of sadness, happiness, anger, fear and disgust emotions. Eighty participants were exposed to 18 film excerpts and reported the way they were feeling after each brief exposure. Besides the specific emotions under analysis, affective valence and arousal, as well as the sense of presence, were evaluated. Overall, it was possible to induce the majority of emotions with relative efficacy in participants of both genders. The film excerpt’s positioning within the affective dimensional model is consistent with the findings of studies that used other emotional stimuli. The sense of presence in the visualized environment was high for the majority of the selected excerpts.
ABSTRACT: The present study aimed to test the efficacy of using film excerpts for the induction of sadness, happiness, anger, fear and disgust emotions. Eighty participants were exposed to 18 film excerpts and reported the way they were feeling after each brief exposure. Besides the specific emotions under analysis, affective valence and arousal, as well as the sense of presence, were evaluated. Overall, it was possible to induce the majority of emotions with relative efficacy in participants of both genders. The film excerpt’s positioning within the affective dimensional model is consistent with the findings of studies that used other emotional stimuli. The sense of presence in the visualized environment was high for the majority of the selected excerpts.
Description
Keywords
Emoções Filmes Indução de emoções Elicitation of emotions Emotions Films
Citation
Laboratório de Psicologia, 8, 63-80
Publisher
Instituto Superior de Psicologia Aplicada