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Publication
"Do canto ao encanto” : Análise psicanalítica do conteúdo latente em letras de canções de língua portuguesa com temáticas de amor
Authors
Abstract(s)
O trabalho apresentado tem como objectivo a exposição e consequente ilustração
de como é possível aceder a conteúdos inconscientes do mundo interno do sujeito
enunciado nas letras de canções de lingua portuguesa de teor romântico-amoroso na
perspectiva da relação com o outro. Para tal serão seleccionados alguns autores de
renome da história da psicanálise por forma a ser possível a apropriação de alguns dos
seus conceitos a aplicar na análise das letras. Serão ainda efectuados breves comentários
estabelecedores de pontes entre a psicanálise e a música, a psicanálise e o amor e
algumas notas acerca da criatividade. As letras de músicas seleccionadas obtiveram um
grande sucesso comercial após terem sido lançadas e, de entre outras, aparentaram ser
pertinentes e adequadas para a ilustração pretendida nesta monografia. A análise
apresentada será feita com recurso ao conteúdo manifesto e ao conteúdo latente (prática
similar à utilizada na interpretação dos sonhos). Num segundo momento e recorrendo ao
modelo teórico de Ronald Fairbairn, mais concretamente aos conceitos de dependência
infantil e dependência madura, bem como a considerações Freudianas acerca do amor e
de como as relações arcaicas condicionam a escolha de parceiros relacionais futuros,
procurará estabelecer-se uma evolução ao nível do conceito de amor (ilustrando a sua
ponderação em cada canção). Será ainda realizada uma tentativa de ilustração que estão
presentes na letra das canções apresentadas elementos e personagens que sofrem os
efeitos da condensação, deslocamento e outros processos que também ocorrem na
descrição de um sonho. Tal como o discurso manifesto do paciente sofre as limitações
do filtro da realidade na passagem para o discurso, o mesmo acontece com as letras das
canções. É intuito deste trabalho ilustrar que é possível aceder ao mundo interno do
sujeito aludido na letra da canção (personagem que surge na canção), bem como aos
seus objectos internos e até mesmo à sua relação de objecto.
ABSTRACT: The presented work has, as its purpose, the exposition and illustration of how it would be possible to access the unconscious content of the subject's inner world stated in the lyrics of romance-themed portuguese songs from the perspective of the relationship with the other. To this end, some of psychoanalysis' greatest authors were selected in order to use and apply some key concepts developed by them which were used to analyze the lyrics. Some brief comments will be made in order to establish a relationship between psychoanalysis and music, psychoanalysis and love, as well as some comments regarding creativity. The selected lyrics achieved treat commercial success upon their release, and presented themselves as fitted for the goals aimed by this work. The analysis will be made by using the manifest and latent content (as it is used in the interpretation of dreams). Afterwards, Ronald Fairbairn's model was used, more specifically the concepts of child dependency and mature dependency, as well as the Freudian considerations regarding love and of archaic relationships condition the choice of future partners, to try to establish an evolution of the concept of love (illustrated by each song analyzed). It was still possible to illustrate that, in the same way, the patient's manifest speech regarding a dream, where it is possible to detect the reality filter when the speech is made, possesses content and characters which suffer from condensation, displacement and several other processes that are present in the presented lyrics. Using this perspective, it reveal itself possible to access the subject's inner world portrayed in then lyrics, as well as its internal objects and even its object relations.
ABSTRACT: The presented work has, as its purpose, the exposition and illustration of how it would be possible to access the unconscious content of the subject's inner world stated in the lyrics of romance-themed portuguese songs from the perspective of the relationship with the other. To this end, some of psychoanalysis' greatest authors were selected in order to use and apply some key concepts developed by them which were used to analyze the lyrics. Some brief comments will be made in order to establish a relationship between psychoanalysis and music, psychoanalysis and love, as well as some comments regarding creativity. The selected lyrics achieved treat commercial success upon their release, and presented themselves as fitted for the goals aimed by this work. The analysis will be made by using the manifest and latent content (as it is used in the interpretation of dreams). Afterwards, Ronald Fairbairn's model was used, more specifically the concepts of child dependency and mature dependency, as well as the Freudian considerations regarding love and of archaic relationships condition the choice of future partners, to try to establish an evolution of the concept of love (illustrated by each song analyzed). It was still possible to illustrate that, in the same way, the patient's manifest speech regarding a dream, where it is possible to detect the reality filter when the speech is made, possesses content and characters which suffer from condensation, displacement and several other processes that are present in the presented lyrics. Using this perspective, it reveal itself possible to access the subject's inner world portrayed in then lyrics, as well as its internal objects and even its object relations.
Description
Dissertação de Mestrado apresentada ao ISPA - Instituto Universitário
Keywords
Letra de música Canção Conteúdo manifesto Conteúdo latente Inconsciente Lyrics Song Manifest content Latent content Uncouscious